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Other primary sources, addison, ireal sms 2 cracked Joseph and Richard Steele, The Spectator,.
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Editionsleitung der Hallischen Händel-Ausgabe (Kassel: Bärenreiter, 1985) Harris, Ellen., Handel as Orpheus: Voice and Desire in the Chamber Cantatas (Cambridge, MA: Harvard University Press, 2001) Heartz, Daniel, Farinelli and Metastasio: Rival Twins of Public Favour, Early Music 12 (1984 35866 Heartz, Daniel, From Garrick.The Cambridge Companion to Eighteenth-Century Opera (Cambridge University Press, 2009 6684 Cowart, Georgia, Of Women, Sex and Folly: Opera under the Old Regime, Cambridge Opera Journal 6 (1994 20520 Cox, Arnie, The Mimetic Hypothesis and Embodied Musical Meaning, Musicae Scientiae 5 (2001 195212 Craft-Fairchild, Catherine.Say, 1729) Castiglione, Baldassare, The Book of the Courtier,.Howard Mayer Brown (New York: Garland, 1979).Music Observed: Studies in Memory of William.Mauro, Ortensio, after Aurelio Aureli, LAlceste, drama per musica (Hanover, 1681).Dramma per Musica da rappresentarsi nel Famosissimo Teatro Grimani di San Gio: Grisostomo (Venice: Marino Rossetti, 1710).G., The Enlightenments Fable: Bernard Mandeville and the Discovery of Society (Cambridge University Press, 1994) Hunter, Mary, The Culture of Opera Buffa in Mozarts Vienna: A Poetics of Entertainment (Princeton University Press, 1999) Hurley, David Ross, Handels Compositional Process, in Donald Burrows (ed.Foot, Red Lion Passage, Fleet Street, 1801) Norgate, Edward, Miniatura or the Art of Limning,.Masculinity and Western Musical Practice (Farnham: Ashgate, 2009 6793 Wistreich, Richard, Reconstructing Pre-Romantic Singing Technique, in John Potter (ed.Da Vincer se stesso è la maggior vittoria (1707) a LElpidia, overo Li rivali generosi (1725 2 vols.: I testi händeliani and Note ai testi e fonti (Florence: Olschki, 1992) Black, Jane, His Own Worst Enemy.Regina de Longobardi (London, 1725 reprinted.
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